Firstly, lets go through a brief history of synths...
Digital synths use similar principles but instead they are controlled digitally..
Now lets break down to the basics of sound sythesis... the fundamental building blocks of the Roland XP/JV........
This contains the heart of a sound (the waveform). It can be either a sampled instrument (like a Piano), or an electronic sound (like a Sine Wave). Basically it controls the pitch and playback of a waveform. The Roland has hundereds of DCO waveforms divided into seperate banks.
| Roland XP/JV |
|
-2-4 | Group | Number
TVA | INT-A | 191(Trumpet 2B ) |
This controls the amplitude/loudness of a sound. The sound can be shaped through an ADSR(Attack Decay Sustain Release) envelope. Use a fast attack for sounds like basses leads and hits. A slow attack for pads and strings. Can respond to velocity (how hard the keyboard is hit).
| TVA Section of the Roland XP/JV |
|
1--4 | Level | Pan | V-Sens | V-Curve
TVA | 118 | L28 | +48 1/ |
Controls the Cuttoff Frequency and the Resonance. The TVF filter also has an ADSR envelope. And can also respond to velocity.
| TVF Filter of the Roland XP/JV |
|
-2-4 | Type | Cut | Res | Keyfollow | EnvDepth
FILTER | LPF | 68 | 48 +10 +48 |
With this you can basically 'wobble' the DCO/DCA/DCF to provide anything from a tremelo or wah-wah effect to something that sounds like 20000 volts frying up a subwoofer.
| Low Frequency Oscillator |
|
-2-4 | Form | Keytrigger| Rate | ExtSync
LFO 1 | TRI \/\ | ON| 96 OFF |
Time Varient Amplifier. This controls the volume/loudness of a waveform. The volume can be shaped through something known as an "ADSR envelope".
Take a look at your TVA envelope settings. If your eyes are still fully functional you'll see something like this.....
|
T1 T2 T3
T4 L1 L2 L3
| 0 | |39| |43| |38| |120| |90| |16| |
The Roland XP/JV has 41 types of effects, and a seperate reverb, chorus section.
The best way to understand this section is to think back a few decades ago when "modular synths" were found in some hi-tech studios. These were synthesizers that resembled cooking stoves, with stacks of connectors, knobs and trails of wires looming around them...
| Tone Structure |
|
12-- | Type W1----------F1-A1 | Booster
STRUCT | 1 | W2-------------F2-A2 | +6 |
| Tone Structure |
|
12-- | Type W1----------F1-A1 | Booster
STRUCT | 1 | W2-------------F2-A2 | +6 |
Those are the bare essentials. Click here to return to the Index
Those are the bare essentials. Click here to return to the Index
Those are the bare essentials. Click here to return to the Index
Those are the bare essentials. Click here to return to the Index
Those are the bare essentials. Click here to return to the Index
Those are the bare essentials. Click here to return to the Index